These type of sequels aren’t supposed to be this good. You know the ones I mean; the ones that took decades to write direct and produce, especially if the original is a masterpiece of its genre. Blade Runner 2049 is an exception that should become the norm. A sequel that expands and compliments the original instead of negating it completely.
Its Los Angeles 2049, artificial humans called Replicants are now outlawed except for use as officers called Blade Runners, who hunt down older replicants. One such Blade Runner named K (Ryan Gosling) soon uncovers a secret tied to an old Blade Runner from 30 years ago named Rick Deckard (Harrison Ford) that could change all of humanity.
Even though I gave a bare bones plot summary, I feel like I gave away too much. While Blade Runner 2049 is a sequel, make no mistake, but this comes off more like a story that took place in the same universe. This time though, the story is much more of an odyssey than the standard sci fi fare; its still a noir story except we’ve actually met the person he’s searching for.
I can’t remember the last time I saw an actor in a performance and thought that no one else could’ve played it, but it happened here with Gosling as K. He anchors his performance with wide eyed silence that almost comes off childlike. He’s discriminated against, by both his peers and the people he’s sworn to protect; its easy to sympathize with him, even though that’s not how he plays it. The presence that Gosling has is just completely mesmerizing. His relationship with a Siri-like application is equal parts sweet, and sad and it came off as believable. He anchors the entire film and gives it its emotional weight.
Director Denis Villenuve has crafted his greatest film so far; the man was wise enough to know that the reason that the original is a science fiction influence is to keep the effects as practical as possible. This feels like a world that was built and lived in for decades. It is just one of the most gorgeous films I’ve looked upon in God knows how long. Love and care went into this, and it’s there on the screen.
Even though Blade Runner 2049 is very much its own story, people who haven’t seen the original might have a hard time following some visual and audio clues that key us into not just into the action but the emotions as well. I do apologize if I seem to be all over the place with this review, but there’s so much to take in on a story and visual level. Like the first film, Blade Runner 2049 begs repeated viewings and analysis. Like the best films are wont to do.