Wes Anderson’s Isle of Dogs is an incredible feat of filmmaking. I have seen possibly hundreds of animated films throughout my life and I am still in awe of what I saw on the screen. Something so unique, so inspired by classic fables and stories that just resonate with you even if you don’t even love dogs.
In a near future Japan, Mayor Kobayashi (Kunichi Nomura) has declared that all dogs be sent to an island in exile as a “dog flu” runs rampant throughout the town. As the dogs make a life for themselves, a group of dogs find a little boy named Atari (Koyo Rankin) lands on the isle to find his dog Spots (Liev Schreiber). Lead by Chief (Brian Cranston) they set out on a trek that could lead them to a shocking discovery.
Isle of Dogs is quite simply, extraordinary. The acting, which is subtle, almost soothing, to the animation that just let my jaw drop. I have never seen a movie seamlessly integrate different styles of animation like this before. The film is just a feast for the eyes, the fantastical Japan that is depicted is detailed so meticulously that I’m certain that you could find something new every single time you watch it.
As per your usual Wes Anderson film, the dialogue and acting are subtle in every which way. I can’t imagine how many jokes slipped past because because I’m laughing and just fixated on the screen. That’s not to say there’s no heart to the story, far from it. Atari’s journey with Chief and the the other dogs will tug at any animal lovers heartstrings without getting bogged down in it’s own sentimentality.
Wes Anderson’s Isle of Dogs is the reason I go to the movies; to see other worlds, other cultures, and get immersed in it. It’s just such a lovely movie, so rich, stylized and beautiful. Not only is this one of the best films of the year, thus far, but it’s one of the best animated films of the decade. I forgot that films can be this good.